One of my favorite new discoveries has been the Axios.com daily newsletter. The idea of adding a daily email to my life is huge, as I’m pretty protective of my email, but after just two days of trying it out, I was hooked. Here are a few things I feel could be applied to film distribution:
I joined Slated in 2014 after attending a producer breakout session at the American Film Market in early November. The speaker was the co-founder and CEO of slated.com, Steph Paternot.
He was compelling, confident, and it felt like I was hearing the answer to my prayers! They had created a site who’s sole intention was to connect independent producers and filmmakers with financing and distribution.
As we’ve used the site over the last year and a half, I wanted to write about our experience, why our expectations haven’t yet been met, and what I think both the users of the site and those running it could do to make it more valuable.
In around February of this year, my business partner and I at Telekinesis Entertainment set out to do the impossible: raise money to make movies.
Every day for the last 10 months, we failed. It’s a harsh reality. Raising money to make movies is a zero sum game; you either have raised money or you haven’t.
Until this week, that is. We’ve officially succeeded at raising money to make a movie. Here’s a few things I’ve learned along the way in hopes of helping anyone starting out on a similar journey.
A few weeks ago I attended the American Film Market for the second year in a row.
It’s an annual film market where Sales Agents are selling the films they represent to foreign distributors and buyers.
Producers, like myself, will often attend to try and meet with these Sales Agents and find one to represent their films, but it’s also a great place to learn as they have great conferences and workshops centered around every aspect of the filmmaking process.
Here are my notes from the week. Hoping something is useful as you go out to make your own films in the future. To see last years notes, check out this post.
These are the detailed notes I took at the 2014 AFM Conference Series and Producer’s Forum sessions. The format will be more like a notebook, rather than a blog post, but I hope it’s still valuable for those that want to know what was covered throughout the week.