A while back I wrote a post called CREATE EVERY DAY, where I outlined how important it is for creators to be putting time and effort into their craft and their business on a daily basis.

For the last few months, I haven’t been listening to my own advice. I’ve been spending WAY more time on the business aspect and not on the creative aspect. Rather than the 10+ hours a week I was doing before (and the ~40 hours per week when I was working on the screenplay for Hidden World: The Swordsman), I don’t know that I’ve spent even 2 hours a week on creating.

It sucks. I find myself a little depressed, massively unfulfilled, and in a rut.

So it’s time to get out of that rut. Time to create, time to recommit. Continue reading CREATE EVERY DAY: REDUX

A Few Thoughts On

I joined Slated in 2014 after attending a producer breakout session at the American Film Market in early November. The speaker was the co-founder and CEO of, Steph Paternot.

He was compelling, confident, and it felt like I was hearing the answer to my prayers! They had created a site who’s sole intention was to connect independent producers and filmmakers with financing and distribution.

As we’ve used the site over the last year and a half, I wanted to write about our experience, why our expectations haven’t yet been met, and what I think both the users of the site and those running it could do to make it more valuable. Continue reading A Few Thoughts On

Why We Paid $1250 To Validate Our Film

My greatest fear is that I don’t know what I don’t know.

The voices in my head go something like this:

“What if you’ve spent the last year, full time, writing a script, raising money, attaching actors, and producing a teaser, only to end up making a movie that sucks, and everyone around you saw it but you…”

That is seriously my greatest fear. Lucky for me (and for you), there’s a way to avoid this sort of outcome. Continue reading Why We Paid $1250 To Validate Our Film


For the last year I’ve been working nearly full time on the screenplay for HIDDEN WORLD. This post will outline some of the big things I’ve learned over that time, and by the end hopefully convince you that the process of writing and revising a screenplay is an essential part of the roadmap to making a feature film. Continue reading THE PROCESS OF WRITING A SCREENPLAY


I had the opportunity to attend Sundance over the last two weekends. For the first time since living in Utah (15 years now…) I sprung for the Utah Locals pass which comes with 10 tickets to the films being shown at the festival. That was split between me & my business partner, but since he only wanted to see one movie, I got to see 7…oof.

Three movies in one day is a lot. Just sayin’. Continue reading THAT MOVIE HAD HEART…


In around February of this year, my business partner and I at Telekinesis Entertainment set out to do the impossible: raise money to make movies.

Every day for the last 10 months, we failed. It’s a harsh reality. Raising money to make movies is a zero sum game; you either have raised money or you haven’t.

Until this week, that is. We’ve officially succeeded at raising money to make a movie. Here’s a few things I’ve learned along the way in hopes of helping anyone starting out on a similar journey. Continue reading 3 LESSONS FROM 10 MONTHS OF FUNDRAISING


A few weeks ago I attended the American Film Market for the second year in a row.

It’s an annual film market where Sales Agents are selling the films they represent to foreign distributors and buyers.

Producers, like myself, will often attend to try and meet with these Sales Agents and find one to represent their films, but it’s also a great place to learn as they have great conferences and workshops centered around every aspect of the filmmaking process.

Here are my notes from the week. Hoping something is useful as you go out to make your own films in the future. To see last years notes, check out this post. Continue reading NOTES & TAKEAWAYS FROM AFM 2015